Take Your Space (DIR/SCR/PROD Karolina Álvarez, CZECH REPUBLIC, 2023, 102:00). The first feature-length documentary on Mexican graffiti and urban art was created independent and free in its expression over five years without financial support, based on coexistence of the Mexican community of Mexican urban artists extending to the other branches of hiphop and skateboarding, familiarizing us with the movement’s development from beginnings to the present with a focus on its essence of rebellion and resistance. It presents urban arts as a path of freedom and independence for the individual, facing down the capitalist system and its attempt to invade our lives and behaviour, and Mexican counterculture in high relief in relation to the resistance of native cultures. (In Spanish and English with English subtitles. NYC premiere)
Sat. Aug. 24 - 6 pm (Bronx Council on the Arts)
Fri. Aug. 30 - 9 pm (Mapes Park)
Mon. Sept. 2 - 9 pm (Hunts Point Riverside Park)
BREAD: A Tall Tale (SCR/DIR Deirdre Towers. USA, 2023, dance film, drama. 20:00.) Inspired by a Gypsy folk tale, this flamenco-driven narrative spans the arc of pain, resilience, cunning, and exuberance. Playing on the gypsies’ love for riddles and fantasy, it springs from the reality that countless innocent gypsies have been imprisoned and released only by the grace of connections and charm. Created for and made possible in part by Hudson Valley Flamenco Festival 2023, this film was commissioned as an episodic film to be shown in 5 parts between live performances. Starring Olyda Ola, Juan Paredes, and Juan Pedro Jiménez.
Fri. Aug. 23 @ 3 pm (Tirage Bleu)
Sun. Aug. 25 @ 9 pm (Ambrosini Field^City Island)
But Alice Doesn’t Know All of This? (SCR/DIR Alessandro Carrierri, ITALY, 2023, 14:05. Color, drama.). A woman is forced to retrace her tormented childhood and her ghosts of the past. Through a process of rebirth she finds herself and reunites with herself as a child. (World Premiere)
Fri. Aug. 23 @ 9:15 pm (Tirage Bleu)
Sat. Aug. 23 @ 4:00 pm (Bronx Council on the Arts
Evensong (SCR/DIR Malibu Taetz, CANADA, unreleased, 15:00. Fantasy) A myth explaining where the stars came from. It tells the story of a Lamplighter given the lonely task of lighting hundreds of candles each night. The candles are lit by blowing on tiny "crystals of light," and every morning he must return each crystal to his bag. When one goes missing and tries to escape the cathedral, he faces the true reality of his work, and must decide whether to keep the flames in the cathedral or free them into the night sky. (New York City Premiere)
Wed. Aug. 21 © 9:30 pm (Joyce Kilmer Park)
Sat. Aug. 31 © 7:45 pm (Loreto Playground)
Liminal (DIR/SCR/Gabriel Vallecillo Márquez, GERMANY, 2021, 24:35. Experimental dance film). Dance/performance-based multi-format art film and expanded cinema experience with Berlin’s architecture as a second skin to create a visual choreography of the contemporary experience of liminality and the need of becoming in our day. Born from transdisciplinary choreographic research applying architectural videomapping techniques to explore the idea of liminality by establishing a correlative dialogue between individual post-pandemic experiences of confinement and site-specific locations in Berlin with a symbolic weight.
*Based on videomapped projections of performative bodies trapped in Berlin’s architecture and history. Video projections in public space are filmed, then serve as the edit contents to create the film.
*Live-cinema: the contents of the film are remixed live and re-composed onto videomapped architecture (building), or onscreen performance with live sound art/music, producing a different experience every time.
*An immersive reactive video installation that narrates and re-conceptualises in fragmented form the contents of the film through experiences of liminality and set-ups in a project space.
Trailer
Fri. Aug 23 @ 9:15 pm (Tirage Bleu)
Sun. Aug 30 @ 7:45 pm (Mapes Park)
The Invaders Webseries: Angie’s Logs (SCR/DIR Mark Cabaroy, USA, 2015, 13:00. Sci-fi) A live action comedy sci-fi webseries that chronicles the adventures of sever-year-old Angie Martínez and her babysitter Beth Adleman as they attempt to repel an alien invasion of Earth from all-powerful, unseen, otherworldly beings. With the help of her teddy bear, Mr. Snuggles, a cardboard spaceship Angie has made from a discarded refrigerator appliance box and her homemade laser gun, she will wage war against impossible odds with the fate of the world in the balance. Put on your Captain Blasto and fasten your seat belts. It’s going to be a bumpy night!
Wed. Aug. 21 @ 8 pm (Joyce Kilmer Park)
Cornered (SCR/DIR Sérgio Malheiros, BRAZIL, 2022, color, thriller, 11:30. Cinematic poem) When presidential decree 9.845 allowed civilians to purchase firearms, Brazil’s people finally felt they could protect themselves from violence. Months later, the decree changes the life of an Evangelical couple, when he, a pastor and recovering alcoholic, catches his wife in bed with two young men. One is a state senator’s son. Now, the battered woman and two young men must beg for their lives. This is a perfect thriller in which nothing is as it seems. (In Portuguese with English subtitles.)
Sat. Aug. 24 @ 4 pm (Bronx Council on the Arts)
Tales from the Galaxy: Return Home (SCR/DIR Matej Žitković, CROATIA, 2024. Sci-fi. 17:34). On a remote planet far from Earth, there are people who were abducted and left there. After seven years, they have a chance to return home, but they are not the only ones who want to return. (World Premiere. Rated G) (In Albanian, with English subtitles.)
Wed. Aug. 21 @ 8:00 pm (Joyce Kilmer Park)
Sat. Aug. 24 @ 1:00 pm (Bronx Council on the Arts)
Sun. Aug. 25 @ 7:45 pm (Ambrosini Field)
Sapient_2,021 (DIR/SCR Amenda Tate, USA, 2022. 22 min, Experimental) This film combines dance, robotics, and visual art to explore what it means to be human in a tech-saturated world. Part collaborative art documentary and part screen dance. It draws inspiration from science fiction combining Tate’s motion-controlled painting robot (Manibus) with dance and visual art to examine ideas surrounding labor, control, empathy, and human rights. The film commemorates the 100th anniversary of the word “robot” (Slavic root “robota” which translates to “forced labor”) introduced to the English language through the play R.U.R. (Rossum’s Universal Robots) by Czech playwright, Karel Capek. How have our views regarding robotics changed over the past century as our relationship to and dependence upon machines evolved? How have our views on humanity and objectification changed? How do we define humanity, and how does labor fit into the equation?
Wed. Aug. 21 @ 9:30 pm (Joyce Kilmer Park)
Sat. Aug. 24 @ 8 pm (Bronx Council on the Arts)
Farmer’s Life (SCR/DIR Vibol Sungkriem, USA, unreleased, 14:56. Documentary) Bronx-based filmmaker Vibol Sungkriem returns to his homeland of Cambodia in 2024, forty years after he and his family fled the genocide there to join what was at the time the largest Cambodian refugee community in the United States, in the Fordham district of The Bronx. (New York City Premiere)
Sat. Aug. 24, @ 2:30 pm (Bronx Council on the Arts)
Mon. Sept. 2, @ 7:45 pm (Hunts Point Riverside)
Jaguar Dancer (SCR/DIR Edgar Pavia, MEXICO, 2023, 20 minutes. Documentary). Saúl, a young bricklayer from Chilpancingo, Mexico, dreams of dancing in Los Tlacololeros dance, but lack of money and family problems prevent him from doing so. The brother of the girl he likes invites him to belong to his criminal group. (In Spanish and English with English subtitles. (New York City premiere)
Fri. Aug. 23 @ 9:15 pm (Tirage Bleu)
The Bytes Dreams Are Made of (SCR/DIR Alessandro Amaducci, ITALY, 2022, 67 minutes. Videoart). The dream world of the digital machine manifests itself on the computer screen as a stream of images and sounds that spreads over the network. A streaming of digital consciousness.
Sun. Aug. 25 @ 8:45 pm (Ambrosini Field)
Fri. Aug. 30 @ 7:45 pm (Mapes Park)
The Lost // existence before essence (SCR/DIR s/n, USA, 2024, 10:48. Experimental). A fairytale of the Anthropocene, with no place left unaltered by human life. This surrealist spin on the Hansel and Gretel story begins with feral children living in the abstracted forest scratching out their survival and gathering food. They awaken the Cavern Yōkai (the spirit of the cave) by taking her resources without asking. Is this vengeful spirit an absent parent, stressed and filled with anger and regret waking up from her endless virtual meetings and remote work? Most versions of the Hansel and Gretel tale have a dangerous or absent parent and a threatening witch. What if these characters are the same? Or neither? Every fantasy reflects the era in which it was born. This is a legend for a new era that has outgrown dark tales of survival and revenge in favor of collaboration and restoration.
Soul of Tiranë (SCR/DIR Meri Dishnica, ALBANIA, 2022, 10:27. Experimental video art). Observing a city’s soul is an exploratory spiritual labyrinth into how a city connects its spaces; organizes, uses and further develops services and opportunities; balances old and new, tradition and innovation, heritage and progress, psychological well-being, quality of life and development — and above all how it preserves its human and cultural ferment as it develops.
Wed. Aug 21 @ 9:30 pm (Joyce Kilmer Park)
Sat. Aug 31 @ 9:15 pm (Loreto Playground)
TUNAS (Tutta Un’altra Storia) #4 “The False Mirror.” (SCR/DIR Alessia Buiatti, ITALY, 2023, 09:50. Documentary) From a webseries filmed at Istituto Comprensivo Tina Merlin in Belluno, Italy, following a group of 102 fifth graders participating in a year-long film workshop. Winner, Cinema and Image Award of the Ministry of Culture, Teaching and Merit, 2022-23 (US Premiere)
Wed. Aug 21 @ 8 pm (Joyce Kilmer Park)
Sat. Aug 24 @ 1pm (Bronx Council on the Arts)
Sun. Aug 31 @7:45pm (Loreto Playground)
Searching for What's Real in a World of Simulation (SCR/DIR Watson Hartsoe, USA, 2023, 02:36. Experimental) 'Searching for What's Real in a World of Simulation' reimagines the classic western film The Searchers to explore the quest for meaning in the era of deepfakes. This deepfake video, created using a synthetic image of the artist's face, highlights the concept of simulacra as described by Baudrillard. It raises questions about the ability of AI technologies to produce convincing realities that blur the boundaries between the original and the copy, adding to the ongoing discussion on ethics and authenticity in AI.
Sun. Aug. ??? @ 1:45 pm (TBA)
Intrusive (SCR/DIR Arlette Zimmermann, SWI, 2023, 7:00. Live-action, documentary.) Unable to escape a loud and terrifying vision, a young woman tries to find relief in nature.
Fri. Aug 23 @ 10:45 pm (Tirage Bleu)
The Cat and the Haunting Gospel (SCR/DIR Angelina Voskopoulos. GREECE, 2024, color, animation. 7:12) Gospel music invokes spirituality and soul expression, figuring front and center in the civil rights movement with stirring messages of equality, justice, and freedom, emphasizing strength in unity and solidarity in the face of social challenges. Cats stand for mystery and independence, a "psychic" presence. Changing political landscapes require us to take on their adaptability and flexibility, their enigmatic nature in the face of complexity and ambiguity.
Fri. Aug 23 @ 9:30 pm (Tirage Bleu)
Sat. Aug 24 @ 2:30 pm (Bronx Council on the Arts)
Eisenstein and Calavera (SCR/DIR Alena Kulikova, RUSSIA, 2023, 5:26. Animation/fantasy. This film is based on the film !Que viva México, inspired by the novella Maguey. Eisenstein is watching the film footage when unexpectedly, his film character turns into a revived Calavera and steals his film. As he tries to take his film back, Eisenstein finds himself as a character in the film. (New York City premiere)
Sat. Aug 24 @ 6 pm (Bronx Council on the Arts)
Sun. Aug 25 @ 7:45 pm (Ambrosini Field)
Sat. Aug 31 @ 7:45 pm (Loreto Playground)
Disclosure (SCR/DIR Meri Dishnica, ALBANIA, 2021, 02:55. Cinematic poem)
Fri. Aug 23 @ 8 pm (Tirage Bleu)
Sat, Aug. 31 @ 9:15 pm (Loreto Playground)
Ethiopian Living Room_Retrofuture_1970's_2070's (SCR/DIR Watson Hartsoe, USA, 2023, 01:36. Experimental) Combines time, tradition, and technology in one immersive space. Created using advanced AI tools like Luma AI, DALL·E 3, RunwayML Gen-1, and MusicLM, this project showcases a living room where Ethiopian heritage and future possibilities come together. It's a visual and auditory celebration of culture, offering a retrofuturistic experience that captures the essence of a 1970s Ethiopian household and reimagines it through the lens of future media. By blending historical style with synthetic media innovation, viewers connect with the past by imagining the future. Accessible on any internet-enabled device, it invites visitors to embark on a journey through time from the comfort of their own home.
Sun. Aug. ??? @ 4:15 pm (TBA)
Wed. Aug. 21 @ 8 pm (Joyce Kilmer Park)
Sat. Aug. 24 @ 1 pm (Bronx Council on the Arts)
Sun. Aug. 25 @ 7:45 pm (Ambrosini Field)
Sat. Aug. 31 @ 7:45 pm (Loreto Playground)
TUNAS (Tutta Un’altra Storia) #7 “Hasta la Vista” (SCR/DIR Alessia Buiatti, ITALY, 2023, 09:50. Documentary) From a webseries filmed at Istituto Comprensivo Tina Merlin in Belluno, Italy, following a group of 102 fifth graders participating in a year-long film workshop. Winner, Cinema and Image Award of the Ministry of Culture, Teaching and Merit, 2022-23 (US Premiere)
Wed. Aug 21 @ 8 pm (Joyce Kilmer Park)
Sat. Aug 24 @ 1pm (Bronx Council on the Arts)
Sun. Aug 31 @7:45pm (Loreto Playground)
When Mama and Me Lived Outside. (SCR Tiny Gray-García /DIR Peter Menchini. USA, 2021, color, 8:10. Animation. drama.) Winner of INDIEfest Award of Recognition! Based on a true story and on the children’s graphic novel of the same name with original artwork by Asian Robles. Peter Menchini created the film with animations of Robles’ art, adding narration by the author and score by Lottie Johnston. An example of “poor people-led solutions,” Tiny’s dictum in her work as an advocate for the homeless. The children's book is available on poorpress.net.
Trailer
Fri. Aug 23 @ 9:30 pm (Tirage Bleu)
Over Double Horizon (SCR/DIR Nataša Prosenc Stearns, SLOVENIA, 2023. 1:01.) Created during a residency at the City of Santa Monica Camera Obscura Lab in a studio with giant glass windows overlooking the ocean. The non-stop presence of the horizon with its infinite varieties inspired her to start recording it every day. The Horizons are part of the ongoing Haiku Videos series, which originates in daily unstaged recordings. Like in Haiku poetry, Haiku videos are based on directly observed everyday occurrences and created spontaneously, when a real-life circumstance gives rise to an idea. Like scientific research, the outcome of this process is not yet known. It is being articulated during the act of artistic creation. (New York City premiere)
Wed. Aug. 21 @ 9:30 pm (Joyce Kilmer Park)
Fri. Aug. 23 @ 10:45 pm (Tirage Bleu))
Be Mine, Seed (SCR Valeria Cobos/Michael Baruch Pachecho/DIR Michael Baruch Pacheco, HONDURAS, 2019. 03:44). This is the story of a nut seed, which experiences a destructive cycle that little by little deteriorates it, causing it to end up in the ground, to bloom and repeat the cycle again, wishing that his next life will be less cruel.
Wed. Aug, 21 @ 8 pm (Joyce Kilmer Park)
Sat. Aug 24 @ 1 pm (Bronx Council on the Arts)
Medusas (SCR/DIR Nataša Prosenc Stearns, SLOVENIA, 2017, 3:07.) Portraits of concrete women who captivate with the intensity of their presence. The squinting eyes, accentuated lips and rich, vibrant hair reveal the metropolitan image of the artist as global citizen, yet this is as far as the author allows us to peek into the intimate. We do not know what these medusas have been through or survived, and yet the artist intertwines the images: they communicate with their looks, voice and hair, and together they create a network. (New York City premiere)
Fri. Aug 23 @ 6:30 pm (Tirage Bleu)
Quilla – You Belong (SCR/DIR s/n and Quilla, USA, 2023, 02:57. Music video.)
Fri. Aug 23 @ 6:30 pm (Tirage Bleu)
Sat. Aug. 24 @ 1 pm (Bronx Council on the Arts)
Five Aunties. (SCR/DIR Sanjin Stanić, CROATIA, 2023, 4:04. Music video). A clarinet player in a rundown cottage. A dreamlike, snowy exterior. Five peasant women trudge through the snow after a hard day’s work. The “five aunties” reach the wine cellar, where they gradually relax, drinking away their troubles. As they become chattier and tipsier, we learn what’s eating them. While their clothes and surroundings belie them as women of tradition, their worries and behavior reflect the timeless neuroticism and comedy of overblown problems described in the song. The calm presence of five female singers throughout emphasizes the increasing grotesquerie.
Sun. Aug. 25 @ 7:45 pm (Ambrosini Field)
Rough Tide (SCR/DIR Pâmela Peregrino. BRAZIL, 2023, animation, environmental. 7:00.) She, who connects everyone by her waters, observes and operates the changes resulting from global warming. The people by the sea are the first to feel its upheavals and mood swings. She knows that humans are moving to stop these changes. Just as she knows that they are repeating an old saga: a few prevailing over the great rest, deepening the problems created by themselves.
Sat. Aug 24 @ 2:30 pm (Bronx Council on the Arts)
Sun. Aug. 25 @ 7:45 pm (Ambrosini Field)
Peace (SCR/DIR Tom Gatley, UK, 2022, 03:00. Drama) Experimental) Hanoi Circus, 1972. In the year of Nixon's Christmas bombings, a performer prepares her routine at the circus. Captured by an American photographer, this image becomes a symbol of peace when the war ends in 1975. (NYC premiere).
Sat. Aug. 24 @ 2:30 pm (Bronx Council on the Arts)
The Stream XIII (SCR/DIR Hiroya Sakurai. JAPAN, 2024, color, experimental. 5:21.) This is segment thirteen in my series "The Stream,” in which I express the transformation of landscapes from interactions between humans and nature, shot on reclaimed land near Kyoto. In the 16th century, samurai and feudal overlord Toyotomi Hiyedoshi, known as “the Second Unifier of Japan,” built a castle on a nearby mountain to view the shallow lake that stood here 80 years ago. I focus on the wind streaming through corn and reed fields cultivated by humans. For sound effects, I use a wind chime consisting of an iron bell with a weight hanging from a string inside. When the wind blows, the pressure makes the weight ring. This sound and the rippling of the fields convey the wind’s invisible presence.
Wed. Aug, 21 @ 9:30 pm (Joyce Kilmer Park)
Sun. Aug. 25 @ 7:45 pm (Ambrosini Field)
Mon. Sept. 25 @ 7:45 pm (Hunts Point Riverside)
Shy (SCR/DIR Arut Tantasirin, THAILAND, 2023, 3:54. Musical Video.) During his morning ritual, Warble the Bird encounters someone, and from there it all becomes a moment of delightful connection.
Fri Aug, 23 @ ??? (Tirage Bleu)
Sat. Aug 24 @ 2":30 pm (Bronx Council on the Arts)
Thrills of Power (SCR/DIR Meri Dishnica, ALBANIA, 2021, 05:00. Cinematic poem.
Fri. Aug. 23@ 9:15 pm (Tirage Bleu)
Sat. Aug. 24 @4 pm (Bronx Council on the Arts)
Silence (SCR/DIR Anna Grigorian, ARMENIA/CANADA, 2023. 2:00. Experimental video art.) Second in a new series of video-bites shot on cell phone. Created in April, 2023 during the nine-month blockade of Artsakh (Nagorno-Karabakh). Between the alarming news from home and the calm reality of everyday life abroad, the artist tries to make sense of the two through art. Playing with lights on interior surfaces works through the conflict between her immediate surroundings and split identity. (US premiere)
Sat. Aug. 24 @ 4 pm (Bronx Council on the Arts)
Živa (The Death of the Goddess Živa) (SCR/DIR Nataša Prosenc Stearns, SLOVENIA, 2023, color, 9:53. Experimental video art.) Inspiored by the Slovene national epic The Baptism on Sovica (1836) by France Prešeren). Živa (“life,” “alive,” “living,” was a pagan goddess of love and prosperity. The poem about the violent Christianization of the Slovenes depicts her replacement by the Virgin Mary. Nine semi-abstract scenes reveal her transformations throiugh relationship to nature and historic events, suggesting the senselessness of wars.
Fri. Aug. 23 @ 9:15 pm (Tirage Bleu)
How Méliès Flew to the Moon (SCR/DIR Alena Kulikova, RUSSIA, 2019, 5:00. Animation/fantasy.) Méliès watches the moon. He is in love and inspired by her, and his only dream is to fly to the moon. One day, a cosmic collision occurs in the sky, (US premiere)
Wed. Aug, 21 @ 8 pm (Joyce Kilmer Park)
Sat. Aug 24 @ 1 pm (Bronx Council on the Arts)
Caryatids (SCR/DIR Nataša Prosenc Stearns, SLOVENIA, 2017, 4:37. Experimental),
A caryatid is an architectural column in the shape of a standing female figure, with the most celebrated found in the Acropolis of Athens. Caryatids represent women’s power and endurance, a motif used by artists and architects throughout history. Nataša Prosenc Stearns brings caryatids into our time with silhouettes of women layered against elements of contemporary Los Angeles architecture and progreessing from individual figures to archetypal forms to semi-abstract shapes, suggesting androgyny, imperfection, even disfigurement, Once immobile female pillars now beam with turbulence, wind in their hair and clothes. (New York City premiere)
Fri. Aug. 23@ 8 pm (Tirage Bleu)
Moment in the Sun (SCR/DIR Nataša Prosenc Stearns, SLOVENIA, 2019, 02:33. Cinematic poem.) Shot in Venice, California during the sunset hours, this is part of my Haiku videos series, which originate in daily unstaged recordings. Like in Haiku poetry, the images of Haiku videos are based on directly observed everyday occurrences and created spontaneously, when a real-life circumstance gives rise to an idea. (New York City premiere)
Wed. Aug. 21 @ 9:30 pm (Joyce Kilmer Park)
Fri. Aug. 23 @ 8 pm (Tirage Bleu)
Sat. Aug. 24 @ 2:30 pm (Bronx Council on the Arts)
Mon. Sept. 2 @ 7:45 pm (Hunts Point Riverside Park)
Quartet (SCR/DIR Nataša Prosenc Stearns, SLOVENIA, 2022, 02:32.) A collection of videos called “moving paintings” combining the body or human form with elements of nature. Quo Vadis? (Where Are You Going?) depicts a dreamlike passage of a woman woth garments bearing the silhouettes of people and the elements of the world she traverses, which appears in constant chaos and disarray while she walks steady and calm. Inspired by depictions of the Virgin of Mercy sheltering a group of people under her outspread cloak, especially popular in Italy from the 13th to 16th centuries. (New York City premiere)
Wed. Aug. 21 @ 9:30 pm (Joyce Kilmer Park)
Mon. Sept. 2 @ 7:45 pm (Hunts Point Riverside Park)
Run City (SCR/DIR Nataša Prosenc Stearns, SLOVENIA, 2017, 02:20.) A video collage created by layering moving images of a multiplied runner’s silhouette and of the elements of contemporary L.A. architecture. The geometrical forms of the video merge with the lines and angles of the stairwells. Like many examples of Russian Constructivism, the video deconstructs the human figure and the urban landscape to create a feeling of rhythmic passage through a space of individual experiences. (New York City premiere)
Fri. Aug. 23 @ 8 pm (Tirage Bleu))
Wed. Aug. 21 @ 9:30 pm (Joyce Kilmer Park)
Sat. Aug. 24 @ 2:30 pm (Bronx Council on the Arts)
Sun. Aug. 25 @ 9 pm (Ambrosini Field)
Mon. Sept. 2 @ 7:45 pm (Hunts Point Riverside Park)
Venetian Horizon (SCR/DIR Nataša Prosenc Stearns, SLOVENIA, 2024, 01:39.) Created during a residency at the City of Santa Monica Camera Obscura Lab in a studio with giant glass windows overlooking the ocean. The non-stop presence of the horizon with its infinite varieties inspired her to start recording it every day. The Horizons are part of the ongoing Haiku Videos series, which originates in daily unstaged recordings. Like in Haiku poetry, Haiku videos are based on directly observed everyday occurrences and created spontaneously, when a real-life circumstance gives rise to an idea. Like scientific research, the outcome of this process is not yet known. It is being articulated during the act of artistic creation. (World premiere)